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The Pulp Magazine Archive

Pulp magazines (often referred to as "the pulps"), also collectively known as pulp fiction, refers to inexpensive fiction magazines published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges.

The name pulp comes from the cheap wood pulp paper on which the magazines were printed. Magazines printed on better paper were called "glossies" or "slicks." In their first decades, they were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art. Modern superhero comic books are sometimes considered descendants of "hero pulps"; pulp magazines often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective.

The first "pulp" was Frank Munsey's revamped Argosy Magazine of 1896, about 135,000 words (192 pages) per issue on pulp paper with untrimmed edges and no illustrations, not even on the cover. While the steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels, prior to Munsey, no one had combined cheap printing, cheap paper and cheap authors in a package that provided affordable entertainment to working-class people. In six years Argosy went from a few thousand copies per month to over half a million.

Street & Smith were next on the market. A dime novel and boys' weekly publisher, they saw Argosy's success, and in 1903 launched The Popular Magazine, billed as the "biggest magazine in the world" by virtue of being two pages longer than Argosy. Due to differences in page layout, the magazine had substantially less text than Argosy. The Popular Magazine introduced color covers to pulp publishing. The magazine began to take off when, in 1905, the publishers acquired the rights to serialize Ayesha, by H. Rider Haggard, a sequel to his popular novel She. Haggard's Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs, Robert E. Howard, Talbot Mundy and Abraham Merritt. In 1907, the cover price rose to 15 cents and 30 pages were added to each issue; along with establishing a stable of authors for each magazine, this change proved successful and circulation began to approach that of Argosy. Street and Smith's next innovation was the introduction of specialized genre pulps, each magazine focusing on a genre such as detective stories, romance, etc.

At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue. The most successful pulp magazines were Argosy, Adventure, Blue Book and Short Stories described by some pulp historians as "The Big Four". Among the best-known other titles of this period were Amazing Stories, Black Mask, Dime Detective, Flying Aces, Horror Stories, Love Story Magazine, Marvel Tales, Oriental Stories, Planet Stories, Spicy Detective, Startling Stories, Thrilling Wonder Stories, Unknown, Weird Tales and Western Story Magazine. Although pulp magazines were primarily a US phenomenon, there were also a number of British pulp magazines published between the Edwardian era and World War Two. Notable UK pulps included Pall Mall Magazine, The Novel Magazine, Cassell's Magazine, The Story-Teller, The Sovereign Magazine, Hutchinson's Adventure-Story and Hutchinson's Mystery-Story. The German fantasy magazine Der Orchideengarten had a similar format to American pulp magazines, in that it was printed on rough pulp paper and heavily illustrated.

The Second World War paper shortages had a serious impact on pulp production, starting a steady rise in costs and the decline of the pulps. Beginning with Ellery Queen's Mystery Magazine in 1941, pulp magazines began to switch to digest size; smaller, thicker magazines. In 1949, Street & Smith closed most of their pulp magazines in order to move upmarket and produce slicks.[8] The pulp format declined from rising expenses, but even more due to the heavy competition from comic books, television, and the paperback novel. In a more affluent post-war America, the price gap compared to slick magazines was far less significant. In the 1950s, Men's adventure magazines began to replace the pulp.

The 1957 liquidation of the American News Company, then the primary distributor of pulp magazines, has sometimes been taken as marking the end of the "pulp era"; by that date, many of the famous pulps of the previous generation, including Black Mask, The Shadow, Doc Savage, and Weird Tales, were defunct. Almost all of the few remaining pulp magazines are science fiction or mystery magazines now in formats similar to "digest size", such as Analog Science Fiction and Fact and Ellery Queen's Mystery Magazine. The format is still in use for some lengthy serials, like the German science fiction weekly Perry Rhodan.

Over the course of their evolution, there were a huge number of pulp magazine titles; Harry Steeger of Popular Publications claimed that his company alone had published over 300, and at their peak they were publishing 42 titles per month. Many titles of course survived only briefly. While the most popular titles were monthly, many were bimonthly and some were quarterly. The collapse of the pulp industry changed the landscape of publishing because pulps were the single largest sales outlet for short stories. Combined with the decrease in slick magazine fiction markets, writers attempting to support themselves by creating fiction switched to novels and book-length anthologies of shorter pieces.

Pulp covers were printed in color on higher-quality (slick) paper. They were famous for their half-dressed damsels in distress, usually awaiting a rescuing hero. Cover art played a major part in the marketing of pulp magazines. The early pulp magazines could boast covers by some distinguished American artists; The Popular Magazine had covers by N.C. Wyeth, and Edgar Franklin Wittmack contributed cover art to Argosy and Short Stories. Later, many artists specialized in creating covers mainly for the pulps; a number of the most successful cover artists became as popular as the authors featured on the interior pages. Among the most famous pulp artists were Walter Baumhofer, Earle K. Bergey, Margaret Brundage, Edd Cartier, Virgil Finlay, Earl Mayan, Frank R. Paul, Norman Saunders, Nick Eggenhofer, (who specialized in Western illustrations), Rudolph Belarski and Sidney Riesenberg. Covers were important enough to sales that sometimes they would be designed first; authors would then be shown the cover art and asked to write a story to match.

Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option. Shading was by crosshatching or pointillism, and even that had to be limited and coarse. Usually the art was black lines on the paper's background, but Finlay and a few others did some work that was primarily white lines against large dark areas.

Another way pulps kept costs down was by paying authors less than other markets; thus many eminent authors started out in the pulps before they were successful enough to sell to better-paying markets, and similarly, well-known authors whose careers were slumping or who wanted a few quick dollars could bolster their income with sales to pulps. Additionally, some of the earlier pulps solicited stories from amateurs who were quite happy to see their words in print and could thus be paid token amounts. There were also career pulp writers, capable of turning out huge amounts of prose on a steady basis, often with the aid of dictation to stenographers, machines or typists. Before he became a novelist, Upton Sinclair was turning out at least 8,000 words per day seven days a week for the pulps, keeping two stenographers fully employed. Pulps would often have their authors use multiple pen names so that they could use multiple stories by the same person in one issue, or use a given author's stories in three or more successive issues, while still appearing to have varied content. One advantage pulps provided to authors was that they paid upon acceptance for material instead of on publication; since a story might be accepted months or even years before publication, to a working writer this was a crucial difference in cash flow.

Some pulp editors became known for cultivating good fiction and interesting features in their magazines. Preeminent pulp magazine editors included Arthur Sullivant Hoffman (Adventure), Robert H. Davis (All-Story Weekly), Harry E. Maule (Short Stories) Donald Kennicott (Blue Book), Joseph T. Shaw (Black Mask), Farnsworth Wright (Weird Tales, Oriental Stories), John W. Campbell (Astounding Science Fiction,Unknown) and Daisy Bacon (Love Story Magazine, Detective Story Magazine).

Description of this collection from Wikipedia.

Many issues of this collection come from a variety of anonymous contributors, as well as sites such as The Pulp Magazines Project and ThePulp.net.

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1986
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1949
1
1939
4
1938
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1937
5
1936
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37
pulp
25
Weird Tales
22
fiction
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fantasy
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horror
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1928
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wollheim, donald allen, 1914-1990
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The Pulp Magazine Archive
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Volume 32 Number 1 Spawn of Dagon - Henry Kuttner A weird story of Elak of Atlantis, and the worship of the fish-god Fortune's Fools - Seabury Quinn A thrill-tale of the Dark Ages, about wolves that were men, and men that were wolves Dust in the House - David H. Keller A shuddery story about the skeletons that sat across the table from each other The Defense Rests - Julius Long An eery tale of a heartless lawyer, who nevertheless wanted to acquit bis own murderer The Messenger - H. P. Lovecraft...
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Topics: pulp, Weird Tales
The Pulp Magazine Archive
texts
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favorite 12
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Volume 32 Number 2 Contents Old Cornish Litany by Virgil Finlay Frozen Beauty by Seabury Quinn The Diary of Alonzo Typer by William Lumley The Goddess Awakes by Clifford Ball The Strangling Hands by M. G. Moretti Haunting Columns by Robert E. Howard World's End by Henry Kuttner The Hairy Ones Shall Dance (part 2) by Gans T. Field From Beyond by H. P. Lovecraft Ally of Stars by Irene Wilde The Piper of Bhutan by David Bernard The Passing of Van Mitten by Claude Farrere The Ghosts ot...
Topics: pulp, Weird Tales
IF Magazine
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favorite 6
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(Contents information excerpted from The Internet Speculative Fiction Database ) Art: Love of Life by Michael Gilbert Prologue to Freedom by Vincent Di Fate Cloudscape by Vincent Di Fate Cartoon: "Why Not to Use Electrical Outlets in Dungeons" by Michael Gilbert Ring Shot by Paul Lehr Marchplateau by Vincent Di Fate Samurai Fugue by Tim Kirk Night Kings by Mike Symes Night Kings [2] by Mike Symes Essays: Editorial (Worlds of If, September-November 1986) by Clifford R. Hong The Light...
The Pulp Magazine Archive
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eye 4,040
favorite 10
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Volume 28 Number 3 Isle of the Undead - Lloyd Arthur Eshbach An uncanny tale of the fate that befell a yachting party on the awful island of living dead men. The Lost Temples of Xantoos - Howell Calhoun Verse The Opener of the Way - Robert Bloch A tremendous tale of dread doom in a forgotten tomb beneath the desert sands of Egypt Witch-Burning - Mary Elizabeth Counselman Verse The Lost Door - Dorothy Quick An alluring but deadly horror out of past centuries menaced the life of a young American...
Topic: pulp
The Pulp Magazine Archive
texts
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favorite 9
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Volume 32 Number 5 Contents I Found Cleopatra by Thomas P. Kelley Fothergill's Jug by Thorp McClusky The Hound of Pedro by Robert Bloch The Thing int the trunk by Paul Ernst Lynne Foster Is Dead by Seabury Quinn The Nameless City by H. P. Lovecraft Recompense by Robert E. Howard Leonora by Everil Worrell The Eyrie
Topics: pulp, Weird Tales
The Pulp Magazine Archive
texts
eye 3,296
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Volume 33 Number 4 Contents The Red God Laughed by Thorp McClusky Trinities by Edgar Daniel Kramer "Their eyes upturned and begged and burned" by Virgil Finlay Susette by Seabury Quinn Hellsgarde by C. L. Moore Armies of the Past by Edmond Hamilton The Red Swimmer by Robert Bloch In an Old Street by Vincent Starrett Hydra by Henry Kuttner Fearful Rock (End) by Manly Wade Wellman The High Places by Frances Garfield Mommy by Mary Elizabeth Counselman Will-o'-the-wisp by Charles Sloan...
Topics: pulp, Weird Tales
The Pulp Magazine Archive
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Volume 30 Number 1 Contents The Thief of Forthe by Clifford Ball To Virgil Finlay by H. P. Lovecraft Jail-break by Paul Ernst The Whistling Corpse by G. G. Pendarves To Howard Phillips Lovecraft by Clark Ashton Smith Raider of the Spaceways by Henry Kuttner The Last Pharaoh (part 3) by Thomas P. Kelley The Ocean Ogre by Dana Carroll The Interview by H. Silva The Creeper on the Crypt by Robert Bloch The Hounds of Tindalos by Frank Belknap Long, Jr. The Eyrie
Topics: pulp, Weird Tales
The Pulp Magazine Archive
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Volume 30 Number 4 Contents Tiger Cat by David H. Keller Pledged to the Dead by Seabury Quinn Which Will Scarcely Be Understood by Robert E. Howard The Shunned House by H. P. Lovecraft The Homicidal Diary by Earl Peirce, Jr. The Long Arm by Franz Habl The Lake of Life (part 2) by Edmond Hamilton The Golgotha Dancers by Manly Wade Wellman Here Lies by H. W. Guernsey The Last of Mrs DeBurgh by H. Silva To a Skull on My Bookshelf by elizabeth Virgins Raplee The Purple Cincture by H. Thompson Rich...
Topics: pulp, Weird Tales
The Pulp Magazine Archive
by Wollheim, Donald Allen, 1914-1990; Howard, Robert Ervin, 1906-1936; Morgan, Grace Jones, 1885-1977; Lovecraft, Howard Phillips, 1890-1937; Weiss, George Henry, 1898-1946; Jameson, Malcolm Routh, 1891-1945; Breuer, Miles John, 1889-1945; Long, Amelia Reynolds, 1904-1978
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A scanned copy of the magazine "Avon Fantasy Reader" issue 10. Published by Avon Novels, Inc. in 1949. Edited by Donald A. Wollheim. Periodical copyright not renewed; contributions' copyrights not renewed. This publication is now in the public domain. Featuring: A Witch Shall Be Born by Robert E. Howard; Bimini by Bassett Morgan (aka Grace Jones Morgan); The Statement of Randolph Carter by H. P. Lovecraft; The Mentanicals by Francis Flagg (aka George Weiss); Vengeance in Her Bones by...
Topics: pulp, pulps, pulp magazine, science fiction, fantasy
The Pulp Magazine Archive
texts
eye 1,605
favorite 5
comment 0
Weird Tales v22n04 (1933 10)
The Pulp Magazine Archive
texts
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favorite 4
comment 0
Topic: pulp
The Pulp Magazine Archive
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Volume 28 Number 2 Contents The Door into Infiinity by Edmond Hamilton Lycanthropus by C. Edgar Bolen Mask of Death by Paul Ernst Werewolf of the Sahara by G. G. Pendarves The medici Boots by Pearl Norton Swet Red Nails (part 2) by Robert E. Howard Swamp Demons by C. A. butz Death Holds the Post by August W. Derleth and Mark Schorer The Diary of Philip Westerly by Paul Compton In the Dark by Ronal Kayser Four Wooden Stakes by Victor Rowan The Eyrie
Topic: pulp
The Pulp Magazine Archive
texts
eye 1,404
favorite 5
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5 • Invaders from Outside • shortstory by J. Schlossel 17 • The Electric Chair • shortstory by George Waight 26 • As Obligated • shortstory by Armstrong Livingston 35 • The Rajah's Gift • shortstory by E. Hoffmann Price 40 • The Fireplace • shortstory by Henry S. Whitehead 49 • White Man's Madness • novelette by Lenore E. Chaney 67 • Red and Black • shortstory by Irvin Mattick 73 • When We Killed Thompson • shortstory by Strickland Gillilan 77 • Wings of Power...
Topics: Weird Tales, 1925, pulp, pulp magazine
The Pulp Magazine Archive
texts
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comment 0
Weird Tales v30n03 (1937 09)
The Pulp Magazine Archive
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comment 0
Topics: bentley, barter, winford, pulp, larry, halsey, naka, ape, blake, naka machi, snap, purple mists,...
The Pulp Magazine Archive
texts
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favorite 6
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724 • The Eyrie (Weird Tales, June 1930) • [The Eyrie] • essay by The Editor 734 • The Worm-King • (1928) • poem by Donald Wandrei 735 • Next Month (Weird Tales, June 1930) • essay by uncredited 736 • The Moon of Skulls (Part 1 of 2) • [Solomon Kane] • serial by Robert E. Howard 752 • Haunted Hands • (1930) • short story by Jack Bradley 762 • The Empty Road • short story by Wallace West 769 • In the Borderland • short story by Pedro Diaz 776 • Sonnet of...
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Topics: Weird Tales, 1930
The Pulp Magazine Archive
texts
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Weird Tales v09n02 (1927 02)
The Pulp Magazine Archive
texts
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Weird Tales v26n04 (1935 10)
The Pulp Magazine Archive
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Weird Tales v13n04 (1929 04)
favoritefavoritefavoritefavoritefavorite ( 1 reviews )
The Pulp Magazine Archive
texts
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comment 0
Weird Tales v12n03 (1928 09)
The Pulp Magazine Archive
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Weird Tales v12n06 (1928 12)
The Pulp Magazine Archive
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Weird Tales v21n05 (1933 05)
The Pulp Magazine Archive
texts
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Weird Tales v25n01 (1935 01)
The Pulp Magazine Archive
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Weird Tales v21n02 (1933 02)
The Pulp Magazine Archive
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Weird Tales v15n02 (1930 02)
The Pulp Magazine Archive
texts
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Topic: pulp
The Pulp Magazine Archive
texts
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292 • The Eyrie (Weird Tales, September 1927) • [The Eyrie] • essay by The Editor 295 • The Wolf-Woman • novelette by Bassett Morgan 311 • The Moon Menace • novelette by Edmond Hamilton 331 • The Beast of the Yungas • short story by Willis Knapp Jones 337 • The Dead Wagon • short story by Greye La Spina 350 • The White Lady of the Orphanage • [Jules de Grandin] • novelette by Seabury Quinn 365 • The Turret Room • short story by August Derleth [as by August W....
Topics: Weird Tales, 1927, fantasy, sf, fiction, pulp
The Pulp Magazine Archive
texts
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Weird Tales v17n04 (1931 07)
The Pulp Magazine Archive
texts
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Weird Tales v24n03 (1934 09)
The Pulp Magazine Archive
texts
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Weird Tales v34n03 (1939 09)
The Pulp Magazine Archive
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Weird Tales v35n09 (1941 05)
The Pulp Magazine Archive
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Weird Tales v33n02 (1939 02)
The Pulp Magazine Archive
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Weird Tales v39n05 (1946 05)
The Pulp Magazine Archive
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Weird Tales v21n04 (1933 04)
The Pulp Magazine Archive
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Weird Tales v36n11 (1943 05)
The Pulp Magazine Archive
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Weird Tales v26n02 (1935 08)
The Pulp Magazine Archive
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148 • The Eyrie (Weird Tales, September 1931) • [The Eyrie] • essay by The Editor 148 •  Letter (Weird Tales, September 1931) • essay by J. Vernon Shea [as by J. Vernon Shea, Jr.] 150 • The Footfalls Within • [Solomon Kane] • short story by Robert E. Howard 160 • The Golden Elixir • short story by Paul Ernst 170 • The Message • short story by Clinton Dangerfield 176 • Satan's Stepson • [Jules de Grandin] • (1931) • novella by Seabury Quinn 217 • Deadlock •...
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Topics: Weird Tales, pulp, fiction, fantasy, horro
The Pulp Magazine Archive
texts
eye 905
favorite 4
comment 0
Weird Tales v32n04 (1938 10)
Startling Stories v03n03 (1940-05.Better)(missing p103-104)
Topics: guaracco, lorenzo, startling, stories, leroy, tweel, giuliano, orbis, startling stories, science...
The Pulp Magazine Archive
texts
eye 899
favorite 3
comment 0
Weird Tales v34n06 (1939 12)
Amazing Stories v14n05 (1940 05.Ziff Davis)(cape1736)(FIXED)
Topics: hok, madden, amazing, romm, gnorrls, throckmorton, dean, giant, stories, amazing stories, john...
The Pulp Magazine Archive
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Weird Tales v44n06 (1952 09)
The Pulp Magazine Archive
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Weird Tales v36n01 (1941 09)
The Pulp Magazine Archive
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Weird Tales v34n04 (1939 10)
The Pulp Magazine Archive
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Weird Tales v35n03 (1940 05)
The Pulp Magazine Archive
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Weird Tales v40n03 (1948 03)
The Pulp Magazine Archive
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Weird Tales v44n04 (1952 05)
The Pulp Magazine Archive
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Weird Tales v34n05 (1939 11)
The Pulp Magazine Archive
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Weird Tales v22n05 [1933 11] (ELPM SliV)
The Pulp Magazine Archive
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Weird Tales v30n06 (1937 12)
The Pulp Magazine Archive
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Weird Tales v39n04 (1946 03)
The Pulp Magazine Archive
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Weird Tales v38n05 (1945 05)
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The Pulp Magazine Archive
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Weird Tales v35n07 (1941 01)
The Pulp Magazine Archive
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148 • The Eyrie ( Weird Tales , February-March 1931 ) • [The Eyrie] • essay by The Editor 148 •  Letter ( Weird Tales , February-March 1931 ) • essay by Frank Belknap Long [as by Frank Belknap Long, Jr.] 148 •  Letter ( Weird Tales , February-March 1931 ) • essay by N. J. O'Neail 148 •  Letter ( Weird Tales , February-March 1931 ) • essay by J. Vernon Shea [as by J. Vernon Shea, Jr.] 152 •  Letter ( Weird Tales , February-March 1931 ) • essay by E. Hoffmann Price...
Topics: weird tales, pulp, fiction, 1931
The Pulp Magazine Archive
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Weird Tales v36n05 (1942 05)
The Pulp Magazine Archive
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Weird Tales v38n01 (1944 09)
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Weird Tales v38n04 (1945 03)
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Weird Tales v38n02 (1944 11)
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Weird Tales v31n03 (1938 03)
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Weird Tales v45n03 (1953 07)
The Pulp Magazine Archive
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Weird Tales v35n05 (1940 09)
The Pulp Magazine Archive
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The Eyrie ( Weird Tales , October 1927 ) • [The Eyrie] • essay by The Editor 441 • The Dark Lore • novelette by Nictzin Dyalhis 459 • The Time-Raider (Part 1 of 4) • serial by Edmond Hamilton 481 • Saladin's Throne-Rug • short fiction by E. Hoffmann Price 495 • The Ride of Falume • poem by Robert E. Howard 496 • Hunger • short story by John D. Swain 498 • Some "Old Masters" • [Folks Used to Believe] • essay by Alvin F. Harlow 499 • Loup-Garou • short...
Topics: weird tales, pulp, fiction
The Pulp Magazine Archive
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Weird Tales v35n01 (1940 01)
The Pulp Magazine Archive
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Weird Tales v35n06 (1940 11)
The Pulp Magazine Archive
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Weird Tales v45n02 (1953 05)
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Weird Tales v36n02 (1941 11)
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Weird Tales v43n05 (1951 07)
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Weird Tales v44n02 (1952 01)
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Weird Tales v41n06 (1949 09)
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Weird Tales v37n03 (1944 01)
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Weird Tales v39n09 (1947 01)
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Weird Tales v44n08 (1953 01)
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Weird Tales v37n06 (1944 07)
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Topic: pulp
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292 • The Eyrie ( Weird Tales , March 1932 ) • [The Eyrie] • essay by The Editor 294 •  Letter ( Weird Tales , March 1932 ) • essay by E. Irvine Haines 296 • The Vengeance of Ixmal • novelette by W. K. Mashburn, Jr. [as by Kirk Mashburn] 310 • The House of the Living Dead • novelette by Harold Ward 330 • The Man Who Played With Time • novelette by Arthur William Bernal [as by A. W. Bernal] 345 • The Last Day • poem by Robert E. Howard 346 • The Answer of the Dead...
Topics: weird tales, pulp, fiction